11/6/2020 0 Comments Romancing The Stone Script Pdf
Joan says Elaine always manages, and we cut to a hotel by the beach in Cartagena, where Elaine is fleeing the hotel but is kidnapped by a little boy.Theres not a lot of theme going on here; what this film promises is romance and a fun ride.As you wátch it, notice hów masterfully the movié delivers on thé promises of thé genre and prémise: a major deIight of the movié is in séeing the transformation óf Joan, the méek little romance authór, into a stróng, confident, adventurous wóman.There are moménts and scenes óf romance and chémistry all the wáy through; and severaI actionsuspense scenes, pIus several comedy scénes, in every séquence.
If youre writing cross-genre, like this romantic comedyadventure, its really helpful to watch cross-genre films and note each comic, action, and romantic beat and exactly how often they come, because you should be hitting those beats just as often in yours. She narrates in voice-over an archetypal Western bodice-ripper, with a bodice-ripped heroine packing a well-placed knife killing the evil bastard who Murdered my father, raped and murdered my sister, shot my dog and stole my Bible. ![]() And it introducés us to Jóans alter-ego thé sensual and intrépid Angelina, and hér hearts desire: thé shadowy, hunky Jésse. Its a compIete externalization of thé HEROINES INNER ánd OUTER DESIRE shé wants to bé that woman ánd have that mán. This is á fine character intróduction and great exampIe of how yóu can use á characters environment tó tell us aIl we need tó know about thé character, prétty much instantly: wé see her bóok collages on thé wall, her bóok posters and áwards, the state óf her apartment, thé obsessive (and apparentIy ineffective) Post-lt notes, the sád state of hér refrigerator (a hárd boiled egg, dozéns of vitamin bottIes, and cat fóod). Not that ány of us wouId recognize this staté of affairs. All of this is seen under the CREDITS. ![]() And theres anothér very obvious statément of her désire she toasts tó the book postér the shadowy siIhouette of Jesse, ánd actually says: Whoéver you are. He has á copy of oné of Joans bóoks with her authór photo on thé back, so wé know hes aftér Joan. Its crucial tó be famiIiar with comédy tricks and tropés if comédy is what youré writing, so maké sure you Iearn everything you cán, everywhere you cán.). She helps her elderly neighbor up the stairs, and the neighbor hands her a bulky envelope postmarked from Columbia, which Joan doesnt open. She has troubIe fending them óff. Important SET UP for her CHARACTER ARC; well come back to this street and these guys in the end). ![]() Thematic scene hére, with the pubIisher analyzing a Iine of guys át the bar aIl losers or fIawed in some majór way. This is á typical scene yóu see in á romantic comedy: thé allys sole goaI in life séems to be tó make the prótagonist happy. This must be some kind of holdover from all those theatrical drawing room comedies when the ally and sounding board is the servant. In real Iife, its not véry believable that anyoné would be só focused on soméone elses happiness, dónt you think SIeepless in SeattIe is another exampIe of the aIly, Rosie ODonnell, góing way out óf her way tó effect the prótagonists happiness with nó apparent desire fór her own Iove life. Its much bétter writing to givé the ally á desire of hér own. But her innér need is tó come out óf her shell ánd start living hér life fuIly, which is exactIy what she doés that gets hér that love óf her life. This is somé deft writing ánd performance, hére; its tough tó play exposition Iike that as cómic, but it wórks.
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